Film Screenings / Film Calendar Month View List View
Sunday, October 1 MONTH
EC: STAN BRAKHAGE PGM 4
Film Notes
Unless otherwise noted, all films are silent.
ANTICIPATION OF THE NIGHT (1958, 40 min, 16mm)
CAT’S CRADLE (1959, 6 min, 16mm)
SIRIUS REMEMBERED (1959, 12 min, 16mm)
THIGH LINE LYRE TRIANGULAR (1961, 9 min, 16mm)
MOTHLIGHT (1963, 4 min, 16mm. Preserved by Anthology Film Archives.)
BLUE MOSES (1963, 11 min, 16mm, b&w, sound)
With ANTICIPATION OF THE NIGHT, Brakhage leaves psychodrama and enters the “closed-eye vision” period. This program also contains a unique example of a film made without a camera, MOTHLIGHT, and one of Brakhage’s few sound (and ‘acted’) films, BLUE MOSES.
Total running time: ca. 85 min.
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Tuesday, October 3
Wednesday, October 4
EC: Stan Brakhage SONGS 15-22
by Stan Brakhage
1965-66, ca. 75 min, 8mm-to-16mm, silent
Film Notes
Thursday, October 5
Friday, October 6
Saturday, October 7
Sunday, October 8
Monday, October 9
Tuesday, October 10
Wednesday, October 11
Thursday, October 12
Friday, October 13
EC: DIARY OF A COUNTRY PRIEST
by Robert Bresson
In French with English subtitles, 1950, 118 min, 35mm, b&w
Film Notes
EC: A MAN ESCAPED, OR THE WIND BLOWS WHERE IT LISTETH
by Robert Bresson
In French with English subtitles, 1956, 101 min, 35mm, b&w
Film Notes
Saturday, October 14
EC: PICKPOCKET
by Robert Bresson
In French with English subtitles, 1959, 75 min, 35mm, b&w
Film Notes
EC: AU HASARD BALTHAZAR
by Robert Bresson
In French with English subtitles, 1966, 91 min, 35mm, b&w
Film Notes
EC: MOUCHETTE
by Robert Bresson
In French with English subtitles, 1966, 81 min, 35mm, b&w
Film Notes
Sunday, October 15
EC: DIARY OF A COUNTRY PRIEST
by Robert Bresson
In French with English subtitles, 1950, 118 min, 35mm, b&w
Film Notes
EC: A MAN ESCAPED, OR THE WIND BLOWS WHERE IT LISTETH
by Robert Bresson
In French with English subtitles, 1956, 101 min, 35mm, b&w
Film Notes
EC: PICKPOCKET
by Robert Bresson
In French with English subtitles, 1959, 75 min, 35mm, b&w
Film Notes
Monday, October 16
EC: AU HASARD BALTHAZAR
by Robert Bresson
In French with English subtitles, 1966, 91 min, 35mm, b&w
Film Notes
EC: MOUCHETTE
by Robert Bresson
In French with English subtitles, 1966, 81 min, 35mm, b&w
Film Notes
Tuesday, October 17
EC: DIARY OF A COUNTRY PRIEST
by Robert Bresson
In French with English subtitles, 1950, 118 min, 35mm, b&w
Film Notes
Wednesday, October 18
THE HAUNTED PALACE
by Roger Corman
1963, 87 min, 35mm
This screening is part of: H.P. LOVECRAFT
Film NotesEC: A MAN ESCAPED, OR THE WIND BLOWS WHERE IT LISTETH
by Robert Bresson
In French with English subtitles, 1956, 101 min, 35mm, b&w
Film Notes
THE LAST WAVE
by Peter Weir
1977, 106 min, 35mm
This screening is part of: H.P. LOVECRAFT
Film NotesEC: PICKPOCKET
by Robert Bresson
In French with English subtitles, 1959, 75 min, 35mm, b&w
Film Notes
Thursday, October 19
EC: AU HASARD BALTHAZAR
by Robert Bresson
In French with English subtitles, 1966, 91 min, 35mm, b&w
Film Notes
THE STONE TAPE
by Peter Sasdy
1972, 90 min, digital
This screening is part of: H.P. LOVECRAFT
Film NotesEC: MOUCHETTE
by Robert Bresson
In French with English subtitles, 1966, 81 min, 35mm, b&w
Film Notes
LEMORA: A CHILD’S TALE OF THE SUPERNATURAL (filmmaker in person on Sat, Oct 28!)
by Richard Blackburn
1973, 90 min, 16mm
This screening is part of: H.P. LOVECRAFT
Film NotesFriday, October 20
HOME AND AWAY: THE AMERICAN FRONTIER
This screening is part of: CHRONICLING AND CREATING: HOME MOVIES & HOBBYIST FILMMAKING
Film NotesNARROW ROOMS: URBANIA
by Jon Shear
2000, 105 min, 35mm-to-digital
This screening is part of: NARROW ROOMS
Film NotesSaturday, October 21
DARK WATERS
by Mariano Baino
1993, 94 min, 35mm-to-DCP
This screening is part of: H.P. LOVECRAFT
Film NotesTHE RESURRECTED (aka SHATTERBRAIN)
by Dan O’Bannon
1991, 108 min, digital
This screening is part of: H.P. LOVECRAFT
Film NotesALONG THE EASTERN SEABOARD: THE FILMS OF ARTHUR H. VIRTUE
This screening is part of: CHRONICLING AND CREATING: HOME MOVIES & HOBBYIST FILMMAKING
Film NotesTHE THING
by John Carpenter
1982, 109 min, 35mm
This screening is part of: H.P. LOVECRAFT
Film NotesSunday, October 22
RE-ANIMATOR
by Stuart Gordon
1985, 104 min, 35mm
This screening is part of: H.P. LOVECRAFT
Film NotesTHE MURDER MYSTERIES OF DWIGHT CORE
This screening is part of: CHRONICLING AND CREATING: HOME MOVIES & HOBBYIST FILMMAKING
Film NotesFROM BEYOND
by Stuart Gordon
1986, 86 min, 35mm
This screening is part of: H.P. LOVECRAFT
Film NotesMonday, October 23
THE LAST WAVE
by Peter Weir
1977, 106 min, 35mm
This screening is part of: H.P. LOVECRAFT
Film NotesIN THE MOUTH OF MADNESS
by John Carpenter
1994, 95 min, 35mm
This screening is part of: H.P. LOVECRAFT
Film NotesTuesday, October 24
MASTERS OF HORROR: DREAMS IN THE WITCH HOUSE + CIGARETTE BURNS
This screening is part of: H.P. LOVECRAFT
Film NotesWednesday, October 25
COLOR OUT OF SPACE
by Richard Stanley
2019, 111 min, DCP
This screening is part of: H.P. LOVECRAFT
Film NotesThursday, October 26
THE THING
by John Carpenter
1982, 109 min, 35mm
This screening is part of: H.P. LOVECRAFT
Film NotesCAIRO, AS TOLD BY CHAHINE + EGYPT, CITY OF THE DEAD
This screening is part of: BIDOUN PRESENTS
Film NotesTHE HAUNTED PALACE
by Roger Corman
1963, 87 min, 35mm
This screening is part of: H.P. LOVECRAFT
Film NotesFriday, October 27
RE-ANIMATOR
by Stuart Gordon
1985, 104 min, 35mm
This screening is part of: H.P. LOVECRAFT
Film NotesSPACES OF EXCEPTION
by Matt Peterson & Malek Rasamny
In English, Arabic, Dine, and Kanienʼkéha with English subtitles, 2019, 90 min, digital
Film Notes
THE STONE TAPE
by Peter Sasdy
1972, 90 min, digital
This screening is part of: H.P. LOVECRAFT
Film NotesSaturday, October 28
THE STONE TAPE
by Peter Sasdy
1972, 90 min, digital
This screening is part of: H.P. LOVECRAFT
Film NotesLEMORA: A CHILD’S TALE OF THE SUPERNATURAL (filmmaker in person on Sat, Oct 28!)
by Richard Blackburn
1973, 90 min, 16mm
This screening is part of: H.P. LOVECRAFT
Film NotesSPACES OF EXCEPTION
by Matt Peterson & Malek Rasamny
In English, Arabic, Dine, and Kanienʼkéha with English subtitles, 2019, 90 min, digital
Film Notes
THE LAST WAVE
by Peter Weir
1977, 106 min, 35mm
This screening is part of: H.P. LOVECRAFT
Film NotesSunday, October 29
MASTERS OF HORROR: DREAMS IN THE WITCH HOUSE + CIGARETTE BURNS
This screening is part of: H.P. LOVECRAFT
Film NotesSPACES OF EXCEPTION
by Matt Peterson & Malek Rasamny
In English, Arabic, Dine, and Kanienʼkéha with English subtitles, 2019, 90 min, digital
Film Notes
DARK WATERS
by Mariano Baino
1993, 94 min, 35mm-to-DCP
This screening is part of: H.P. LOVECRAFT
Film NotesMonday, October 30
COLOR OUT OF SPACE
by Richard Stanley
2019, 111 min, DCP
This screening is part of: H.P. LOVECRAFT
Film NotesSPACES OF EXCEPTION
by Matt Peterson & Malek Rasamny
In English, Arabic, Dine, and Kanienʼkéha with English subtitles, 2019, 90 min, digital
Film Notes
Tuesday, October 31
THE HAUNTED PALACE
by Roger Corman
1963, 87 min, 35mm
This screening is part of: H.P. LOVECRAFT
Film NotesQUATERMASS AND THE PIT (aka FIVE MILLION YEARS TO EARTH)
by Roy Ward Baker
1967, 97 min, 35mm
This screening is part of: H.P. LOVECRAFT
Film Notes